My current practice addresses loss, remembrance, and fragments of personal history, particularly in relation to previously owned objects. I imply the fragility of unknown memories by combining salvaged photographs, letters and postcards which may be easily damaged and contain a physical imprint of the previous owners.

Glimpses into these anonymous lives provided by the documents provoke questions about the people they refer to, but conclusions cannot necessarily be drawn.

By considering the qualities of a particular venue, the act of presenting several works in one space and ways in which the concept of fragments can be alluded to with works ‘scattered’ within the space, I suggest/negate additional meanings to the individual pieces.